Beach Weather

Beach Weather is an American rock band based in the fictional town of Beach Weather, U.S.A., and consists of members Nick Santino, Sean Silverman, and Reeve Powers.

Over the last few years, Beach Weather has quickly crossed off some of its bucket list goals. You might have caught the band live on Jimmy Kimmel or experienced their loud live show at BottleRock Napa Valley, Hangout Music Festival, and Shaky Knees, or on tour with the likes of The Beaches and lovelytheband.

Leaving behind the fictional world of their debut album, Pineapple Sunrise, a fictional resort to escape all anxiety & insecurity, the band’s sophomore album boasts a more confident approach taking place in the desert, where only the strong survive. The desert also plays a role in the bands start, meeting in Arizona.

 “Melt”,  a 12-song record,  captures the maturity, honesty, and storytelling since the band re-sparked their career in the last few years. Following the band’s debut full-length, Pineapple Sunrise, which quickly skyrocketed the band with their multi-platinum single, “Sex, Drugs, Etc.” that peaked at No. 1 on alternative radio, as well as other tracks such as “Unlovable”, “Trouble With This Bed” and “Pineapple Sunrise”, the band expanded on their already diehard cult following known as the BWRRC (Beach Weather Rock N Roll Club).

Unlike, Pineapple Sunrise, which was written during the pandemic and thousands of miles away from one other, Melt allowed for all three members to connect down to the minor details. From their shared experiences on the road to the untraditional tracking itself.

This record and all previous music was produced and recorded by the band alongside, their producers Sean and Alex Silverman. Sean officially joined the band in 2021. “Sean Silverman could be labeled as a new member, but he was making the tunes with us from the start in 2015. Really, that first EP [What A Drag] was just the Silverman brothers & Nick”, Reeve explains.

With all of the opportunities and studios available, the band chose to stick to what worked from the very beginning. “With our first couple of EPs, we were literally recording in our friend’s shed and garage,” Silverman says. “This time around, we explored some traditional studio scenarios, but we fell back on what we’ve always done: recording in small spaces.” Accordingly, while on the road in early 2024, they continued mixing and tracked vocals in dressing rooms—and were inspired enough to record another song in a hotel room in Boise.

This process reinforced both Beach Weather’s preferred recording process—and their instinctual approach. “We’re throwing a bunch of different colors on the canvas at the same time,” Santino says. “Like, if a song calls for a certain guitar part in that moment, we’ll set up an amp and record a part because we know we need to get that idea down. That’s why it works in the back of a tour bus and why it works in the dressing room.”

Beach Weather’s electrifying second studio album, Melt, reflects this authentic vibe; songs encompass breezy alt-pop (“Deadbeat Blues,” a duet with the vocalist Bel), effervescent pop-rock with a slinky R&B groove, and laid-back, synth-sparkled pop (the moody title track). “Hardcore Romance,” one of the first songs Beach Weather wrote for Melt, is also one of their heaviest tunes to date. The band grafts pop melodies and hooks to fuzzed-out guitars, propulsive drums and distorted-coated vocals.

Unsurprisingly, guitarist Sean Silverman says “Hardcore Romance” was inspired by Beach Weather’s packed 2023 live schedule; they appeared at music festivals like BottleRock Napa Valley, Hangout Music Festival, and Shaky Knees, and toured with the likes of The Beaches and lovelytheband. “We’ve always tapped into this heavier rock sound when we were like rehearsing, but it never translates on to a record,” Silverman says. “And I felt like this was the first time we said, ‘Oh, can we do this song and still feel like us?’ It felt dangerous for us to try it that way—and new and exciting.”

As these sessions progressed, Silverman realized that the music they were writing was a noticeable departure from their past releases. “When we were doing Pineapple Sunrise, there was this sense of escapism in what we were doing,” he says. “We were trying to make things feel bubbly and more whimsical in the production, because that’s how we felt at the time. With some of the newer stuff, conceptually, it’s a bit of a departure. Darker is too heavy of a term. But there were maybe melancholy musical elements, and a little more weight to the time that we were making it in.”

Santino chalks this evolution up to band members being in different (and more settled) places in their personal lives. “We’re not writing heartbreak songs like we used to when we were younger,” he says. “But what we always lean into—and maybe it says a lot about us—is that our songs are rooted in self-reflection. Sometimes we’re self-deprecating; sometimes our songs tell people it’s okay to feel a certain way. We try to write honest, real things that we know that everybody goes through. If anything, this record speaks more to that approach than anything we’ve done before, in the most beautiful way.”

Melt’s first single, “High in Low Places,” embodies this evolution. The last song Beach Weather wrote for the record, the tune originally sounded like a heavier, shoegaze-influenced song, but evolved into a moodier tune with a sinewy groove, sighing vocal harmonies, and a punchy chorus. “I played it for somebody in another band, and he said, ‘It sounds like Armageddon disco music,’ and we were like, ‘That’s it. That’s perfect,’” Santino says.

Lyrics-wise, “High in Low Places” speaks to the universal idea of striving for emotional equilibrium despite long odds and challenging times. “It felt true to what we’ve gone through, not only with this band, but in our personal lives, of trying to find the positive while also going through this grind of being musicians and creatives,” Silverman says. “Trying to find the silver lining felt powerful for our band and our story. And it feels like an anchor for the record, because it does feel like it’s a little more weighty, in a good way.”

Santino, Powers, and Silverman are excited to release Melt and share this next chapter of their story. “We’ve always put our fans and listeners first,” Santino says. “We try to make our records feel like something that they can attach themselves to, like they’re a part of something.” Adds Powers: “We want the listener to know who we are inside  just by listening to this new record. We really put all of ourselves into this one.”

Easy Honey

Easy Honey was born out of the small-town innocent college days: the days of walking home under the starry night and springing under the watchful eye of sunny graveyards, Dairy Queens, and neo-gothic cathedrals.

Selby and Darby, fast friends upon meeting at college in Sewanee, TN, instantly began writing songs in the basements of academic buildings after hours. These songs were inspired by both the beauty of the natural world around them and the coming of age romances experienced during this time.

After adding Charlie Holt to the group, the band honed their live show at college parties and took their batch of songs to record in Nashville. The group has since blossomed, infusing its singer-songwriter folk roots with an original blend of East Coast surf-rock, catalyzed by the band’s relocation to the up and coming Charleston, SC, music scene. The band has sold out multiple shows around the country since beginning touring in 2022.

Easy Honey’s witty melodies dotted with catchy hooks serve as anthems of nostalgia for their indie rock audience of daydreamers and nightseekers. Drawing inspiration from the originality and attitude of The Kinks, The Killers, The Replacements, the band’s raucous, yet sentimental, live show exemplifies the realness that people crave in an internet-driven world. Easy Honey has supported in concert and taken after the spirit of currently popular bands such as flipturn and Sunroom.

Easy Honey is supporting their upcoming album, ‘Cupidity Unlimited’, (to be released on 07/17). the 6 month long tour will include: their ‘Mountain Town Tour’ (15+ shows in Colorado), their second annual ‘Surf Tour’ (a two week run headlining East Coast venues, environmental clean-ups, and surfing Atlantic waves) and finally a full US loop (playing TX, midwestern states, and the North East etc.)  Co-frontmen Darby McGlone (vocals, guitar) and Selby Austin (vocals, guitar) share writing and singing duties, while Charlie Holt (drums, vocals) and Webster Austin (bass, vocals) provide a rhythm section which complements the personified, interwoven electric guitars. When not touring, the band lives in Charleston, SC, leading the way in the rapidly growing music scene… and surfing Folly Beach when home.

Wim Tapley & The Cannons

Based in Athens, Georgia, Wim Tapley came of age playing shows in Washington D.C. where he honed his voice with the passion of a born troubadour.

Since 2021, Wim and his live band The Cannons have called Athens home. His first week in Georgia, he made his way onto a local bill, etching a name for himself as a fresh and favorite hometown voice. He is ardently received by his ever-growing following at legendary venues like Eddie’s Attic and the Georgia Theatre, along with tours across the East Coast.

Firmly rooted in Americana and dashed with catchy pop sensibilities, the swinging depths of neo-soul, and a sprinkling of riotous horns, Wim’s arresting sound is as fresh as it is ageless, as fevered as it is raucous fun. A sonic westward expansion of fuzzed-out guitars, saloon pianos, defiant horns, and dusty vocals, his discography blazes a new take on folk and soul while honoring the songwriting giants that paved the way before him like Jason Isbell, Bill Withers, and Chris Stapleton.

Follow Wim on Spotify and Instagram and never miss out on the musical misadventures of the East Coast’s resident space cowboy.